Summary (courtesy of GoodReads): Three  ordinary children are brought together by extraordinary events. . .  Giuseppe is an orphaned street musician from Italy, who was sold by his  uncle to work as a slave for an evil padrone in the U.S. But when a  mysterious green violin enters his life he begins to imagine a life of  freedom.    Hannah is a soft-hearted, strong-willed girl from the  tenements, who supports her family as a hotel maid when tragedy strikes  and her father can no longer work. She learns about a hidden treasure,  which she knows will save her family -- if she can find it.    And  Frederick, the talented and intense clockmaker's apprentice, seeks to  learn the truth about his mother while trying to forget the nightmares  of the orphanage where she left him. He is determined to build an  automaton and enter the clockmakers' guild -- if only he can create a  working head.   Together, the three discover they have phenomenal  power when they team up as friends, and that they can overcome even the  darkest of fears.
And here's what I thought:   Let me  begin by saying that Matthew Kirby has an extremely descriptive writing  style.   When I was reading this book, I always had a clear picture in  my mind of the characters, or the places.   The writing is also very  smooth, and I enjoyed how he introduces the characters individually, and  then starts to weave their stories together.   For example, we meet  Guiseppe first, learning about who he is, and what his situation is.   Then, we move to Frederick, and then Hannah.  Pretty soon, the story  really picks up pace, and we learn how all three of them are all  involved in the main story.   I never felt a disconnect when I moved  from character to character as the chapters changed, which sometimes can  happen in a story.  I felt sympathetic towards all three, and got  caught up in their story (and worried about what was going to happen  towards the end).    What I also enjoyed was that all three of them are  strong characters; Hannah isn't a minor character, or completely reliant  on the other two boys.  All three of them are quite used to being  independent, and fending for themselves to some degree.   I would have  been completely annoyed and disappointed if somehow, Hannah had been  anything less than what she was.
There are some really  interesting elements to this story, as well, that give it a bit of  mystery.   Giuseppe's green violion, for example, seems to have a strong  effect on anyone listening.  Hannah's new employer definitely has more  to her than meets the eye.  Frederick's clockwork automaton also seems  to have a smidge of magic.   However, despite these details, it takes  all three of the characters to work together to really make things  happen.   Overall, this was a good read.  The wonderful writing alone  made reading it a pleasure, and it was a well-written story, as well.   
I  will note, however,that this book didn't grab me as much as some others  that I've read.  It could be because this book is for a slightly  younger audience that what I usually read (I'd put it at age 10-12, as  opposed to some of the teen books that aim for the 16+ crowd).    Sometimes, I wondered at how real some of the situtions were,  particularly Giuseppe's dealings with Stephano (who seems like a nasty  version of Fagin from Oliver Twist).  However, I think a younger reader  wouldn't be bothered by any of this, and would just sucked into the  story.  
Since I mentioned the writing, I should give an example,  yes?  How about:  "The storm had left powdery clouds behind, and a  shade of blue in the sky that showed all the other blues what they  should look like."  (p. 14)   and "Sharing his memories felt like  handing over a sharp knife.  A knife that others might handle  carelessly."  (p. 61)
Received courtesy of Dark Faerie Tales  Book it Forward ARC tour.   This book is due to be published in October,  2010.  Thus, any pages referenced to in this ARC (Advance Reading Copy)  are subject to change in the final publishing.
Murderbot
4 weeks ago
 
 
 
 




1 comments:
I really like this cover but I don't think I could deal with the dense writing, so I'll probably pass on this book.
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